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On Mustang I brought the least amount of finished ideas to the table, and people have been saying it’s our best, so that says something. Everyone said ‘Yes, let’s go another year,’ so we’re now working on the tenth album. Besides that, we all have a yearly meeting together where we check in and make sure everyone’s good to go another year, that everyone still likes being in the band. Everyone in the band is a really good writer, and so, really, each person writes two good songs a year, you have twelve songs, that’s an album. “It’s pretty easy,” Valentine says, “as long as you take it a year at a time. I ask how it’s possible to keep up a pace like that. Right from the get-go,” he says, “I wanted my band to be like Guided By Voices, recording an album a year and touring as much as we could.”
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We got to do a lot of TV spots in Europe back when Fire came out and was charting well, but after a while it gets exhausting being up that early.” “Sure, it’d be nice to play those kinds of shows. Valentine insists it isn’t sour grapes speaking. When you finally get around to actually hearing this glossy music that’s being packaged, there’s just nothing there. And it seems that everyone is content listening to those same groups over and over until the next group comes along. Just the same bands playing the Super Bowl or The Today Show. In America it seems there are only two bands that ever get airtime for, like, a two-year cycle.
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“I’ve got nothing against the guy, really,” Valentine says, speaking to Stylus from his Brooklyn home. But when the chorus kicks in and Valentine, with his signature growl, repeats the line, “Burn in Hell, rot in Hell, burn in Hell, motherfucker,” then it feels personal. Valentine begins with the lyrics, “Give all your money to Adam Levine, but Adam Levine don’t need your money.” At first, the digs on the Maroon 5 frontman don’t seem all that personal, that maybe Levine is a stand-in for all pop music icons. I ask Dick Valentine, singer of Electric Six, about “Adam Levine,” a track off the band’s recently-released ninth record, Mustang. “She’s white, she is so white, I was born to excite her, she could never be whiter.” You know there’s a joke somewhere, but you aren’t sure what exactly the joke is.Įven now, I’m unsure where the joke is in a few of their songs. On the surface it’s one of those rockers that makes you crank the volume and play air guitar, but the lyrics are silly enough to make you feel weird about singing along. Take my favourite song, for example: “She’s White,” off the band’s 2003 debut Fire. There’s always that point when you’re listening to Electric Six that you wonder how much of the music is sincere and how much is tongue-in-cheek.